tag:blogger.com,1999:blog-77755756567865624702024-03-05T04:39:02.671-08:00Nevada Orenda Jade Buckley KingAnonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-7775575656786562470.post-14414937138539721272013-03-25T09:52:00.003-07:002013-03-25T10:15:53.376-07:00"Self Portrait"<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia, "Times New Roman", serif;">Embroidery</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR1SCWDY3zecLDgk1vzb4uY-OwWiehT_uwTwxUhLeLpbsWI_1egSRUYN8BttKk7EfAU_3CUvxP-OJ9A9MZGkEyvGZpdSCH1wNxHt1Ogvo7mdkaMpl_4zJsC12akynT0PrdasFD6JdXMvk/s1600/portrait+(2).JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="377" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR1SCWDY3zecLDgk1vzb4uY-OwWiehT_uwTwxUhLeLpbsWI_1egSRUYN8BttKk7EfAU_3CUvxP-OJ9A9MZGkEyvGZpdSCH1wNxHt1Ogvo7mdkaMpl_4zJsC12akynT0PrdasFD6JdXMvk/s400/portrait+(2).JPG" width="400" /></a></div>
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Embroidery, soon to become a favorite medium of mine, is something magical. There</div>
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is a kind of mystery to its development. You begin with a few lines, here and there, just to </div>
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get things started. And soon you're off; making flat stitches turn to shallow hills of color. </div>
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And as the piece progresses- whether you work all over at once, or you finish certain </div>
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sections at a time, you never can quite predict how your images will turn out; how those </div>
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last second little stitches can make all the difference. You may think you are simply filling </div>
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in an area with a solid, flat color, and yet when you stop- there they are... the breaks in<em> </em></div>
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<em>between</em> the stitches create even <em>more </em>lines for your eyes to follow and get lost in. </div>
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I do believe this is love.</div>
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This self portrait is the second embroidery I've created. </div>
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More to come, for sure!</div>
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Anonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.com0tag:blogger.com,1999:blog-7775575656786562470.post-16551552893786536312012-09-23T17:43:00.003-07:002012-09-23T17:43:48.317-07:00"None the Same"<div class="separator" style="clear: both; text-align: center;">
"None the Same" 2012</div>
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6" x 8"</div>
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Intaglio, Yarn, </div>
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Hand dyed and Waxed Paper </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizrF1OyjqkSfPARIQxjjVS-oFzNzrYThF3Mqf5QzpyZU4y0hpbCK6HUs1czs4EXGDqNsCSfBvjYdO7WmseSorzA4qgx5HVCRVpn0sxxucsT3SangmdAAvZ2eEOuxUwPDvKCJLQWaHML1I/s1600/090.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizrF1OyjqkSfPARIQxjjVS-oFzNzrYThF3Mqf5QzpyZU4y0hpbCK6HUs1czs4EXGDqNsCSfBvjYdO7WmseSorzA4qgx5HVCRVpn0sxxucsT3SangmdAAvZ2eEOuxUwPDvKCJLQWaHML1I/s400/090.JPG" width="400" /></a></div>
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None the Same is a portrait. The symbol of the breast is used in a forceful manner, </div>
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seeming to be a pair of eyes looking directly at the viewer. The use of black creates</div>
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a feel of heaviness, dense and hard. The misshapen details of the breasts reveal uniqueness</div>
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in the female, with a pairing of sewing and yarn- reflecting an expected feminine craft to</div>
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contrast. </div>
<br />Anonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.com0tag:blogger.com,1999:blog-7775575656786562470.post-43612960062758394872012-09-23T17:33:00.002-07:002012-09-23T17:34:38.856-07:00Nature, and all it's Capabilities....<div class="separator" style="clear: both; text-align: center;">
Hays Cemetery 2012</div>
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Hancock County, Indiana</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie3HYetE6RcVb4_EcrfW6Hx4Ck_KxlKfYS8LlXNSWauV5x1H2J2IIIOCLQC7xq8pBDaCem32QSlrijoFdKdWq-jBP_NeU_3KAlYFXhqer992fPnvvZ78mI9BhDmPLM2BRx0bU7IOtOEGs/s1600/021.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie3HYetE6RcVb4_EcrfW6Hx4Ck_KxlKfYS8LlXNSWauV5x1H2J2IIIOCLQC7xq8pBDaCem32QSlrijoFdKdWq-jBP_NeU_3KAlYFXhqer992fPnvvZ78mI9BhDmPLM2BRx0bU7IOtOEGs/s400/021.JPG" width="355" /></a></div>
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Including organic materials in my work is a reflection of my fondness for nature, </div>
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and it's endless storybook of objects, textures, creatures, and life. Animal remains</div>
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house a great amount of life, even after death. A story remains to be told, and I </div>
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believe the spirit can be immortalized by creating a home for that which the animal</div>
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left behind. And the same can be said with humans. </div>
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Here, you can see me at Hays Cemetery in Hancock, Indiana. Hays Cemetery has </div>
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undergone years of destructive and disrespectful behavior. There is now a circle </div>
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of broken headstones created by those responsible for the chaos. When I was there, I decided that some purity and kindness was needed. I buried a white candle withing </div>
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dried wheat, and lit it. All the while dropping dried yellow marigolds around the </div>
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circle to fuse the area with peace and to hopefully leave a feeling of respect. </div>
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My work often reflects themes of death, altars, and the supernatural. I included this </div>
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photograph for those to see I not only practice these ideals in my work, but also in life.</div>
<br />Anonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.com0tag:blogger.com,1999:blog-7775575656786562470.post-65645121724119745862012-09-23T17:11:00.002-07:002012-09-23T17:12:01.077-07:00"6 Hands in the Mud"<div class="separator" style="clear: both; text-align: center;">
"6 Hands in the Mud" 2012</div>
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100 Acres, IMA</div>
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Mixed Media</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZW5TODr1a9_othTeJmiBMuU_Aa34cIGSlpG3nSzlV2Gho7W3IcCUhhgXJ2RcV-Gf0pnZbYEvi0zJplUOMdMmpvp_69b4g-UqqY8bm8vr5_U-hQMU_AYtYkfIet1HTWkXoRo85DPqTGmE/s1600/2012_6+Hands+in+the+Mud+Show.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZW5TODr1a9_othTeJmiBMuU_Aa34cIGSlpG3nSzlV2Gho7W3IcCUhhgXJ2RcV-Gf0pnZbYEvi0zJplUOMdMmpvp_69b4g-UqqY8bm8vr5_U-hQMU_AYtYkfIet1HTWkXoRo85DPqTGmE/s400/2012_6+Hands+in+the+Mud+Show.JPG" width="300" /></a></div>
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6 Hands in the Mud was a collaborative show held at the 100 Acres at the IMA</div>
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in the summer of 2012. Erin Trimble, Ashley Windbigler, and myself set up the</div>
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show in the beautiful woods located by the lake near the museum. The show </div>
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included prints, sculptures, textiles and mixed media pieces. The clouds remained</div>
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dark and grey yet never rained us out. It was a lovely day with a great turn out. </div>
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Thank you everyone who came out to see us!</div>
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<br />Anonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.com0tag:blogger.com,1999:blog-7775575656786562470.post-74344793751270310752012-09-23T17:02:00.002-07:002012-09-23T17:04:41.509-07:00"Ritual Residue"<div class="separator" style="clear: both; text-align: center;">
"Ritual Residue" 2012</div>
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5' x 18'</div>
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Silkscreen, Waxed Paper, Red Pepper, </div>
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Twine, Fabric, and Found Objects</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW8umHDnEhfhg871sL9IGqAOSH_8r-mDfKo6gfCXWPC3M9pJGjt5qpImcbmCoUKsWmOMRI_CBvmH0xLEGg_GxwHmi75TB7DJtb4l5Lgo-smM1vgx08wnLUgGTfpP3fdrCFSxn-1Z1XtE8/s1600/2012+Printmaking+Show.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW8umHDnEhfhg871sL9IGqAOSH_8r-mDfKo6gfCXWPC3M9pJGjt5qpImcbmCoUKsWmOMRI_CBvmH0xLEGg_GxwHmi75TB7DJtb4l5Lgo-smM1vgx08wnLUgGTfpP3fdrCFSxn-1Z1XtE8/s400/2012+Printmaking+Show.JPG" width="300" /></a></div>
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Ritual Residue became a home away from home. A protective circle of crushed</div>
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red pepper surrounds a large handmade pillow (filled with herbs). Suspended </div>
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above the seat are a collection of hand dyed, waxed, sewn, and printed pouches</div>
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filled with objects of use and importance. The installation illustrates isolation and</div>
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solitude in the process of crafting objects and collecting memories and materials. </div>
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<br />Anonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.com0tag:blogger.com,1999:blog-7775575656786562470.post-79448050342612291672012-09-18T13:13:00.001-07:002012-09-18T13:13:19.955-07:00"Rocks in the Water"<div style="text-align: center;">
"Rocks in the Water" 2011</div>
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22"x30"</div>
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Mixed Media</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJWbOQYaxy5VS5chvm50jYZw1KpHridMR9nOXaVNEoJ2eKnAMsC1IBo6muvUNGyi2Ead-7v5wZ2F30x8NZoh6CZOVFpxhMNKthG-kT7npHWBkho6GViMhcSuyBP-b8ZW7U8KlhyjODwfE/s1600/394546_914368616383_1453637689_n.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJWbOQYaxy5VS5chvm50jYZw1KpHridMR9nOXaVNEoJ2eKnAMsC1IBo6muvUNGyi2Ead-7v5wZ2F30x8NZoh6CZOVFpxhMNKthG-kT7npHWBkho6GViMhcSuyBP-b8ZW7U8KlhyjODwfE/s400/394546_914368616383_1453637689_n.jpeg" width="400" /></a></div>
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This is an example of my experimentation with paper and prints as containers. Each pouch</div>
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is sewn onto the print, housing within them a flat stone gathered by myself. </div>
Anonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.com0tag:blogger.com,1999:blog-7775575656786562470.post-84922474886542814752012-09-18T13:05:00.004-07:002012-09-23T16:51:02.266-07:00"Unite in our Differences"<div style="text-align: center;">
"Unite in our Differences" 2012</div>
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22"x30"</div>
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Monotype, Waxed Mulberry paper, Yarn</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigycsXfBxYbS7dfYV4_BfCwe6j1FBkJGwtWtuwjqpwjcEBOsXR3v1BxwvwtdyJGCAjp2D3god9PV8WlpMNOXfHje3bmnR8NZVEpcZN25qIYRvkPml6FEuF_IsLZD3ifC-zDrf1nKouwj4/s1600/537688_10100213915513973_251376683_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="323" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigycsXfBxYbS7dfYV4_BfCwe6j1FBkJGwtWtuwjqpwjcEBOsXR3v1BxwvwtdyJGCAjp2D3god9PV8WlpMNOXfHje3bmnR8NZVEpcZN25qIYRvkPml6FEuF_IsLZD3ifC-zDrf1nKouwj4/s400/537688_10100213915513973_251376683_n.jpg" width="400" /></a></div>
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Once waxed, the mulberry paper becomes almost completely transparent. It is</div>
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feeble and susceptible to cracks, tearing, and bending. The weakness of this paper </div>
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is framed with a soft, pink yarn with a gentle zig zag effect. These tender mediums </div>
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are directly contrasted by the large scale breasts, which seem like eyes, that penetrate </div>
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the viewers gaze. The symbol of a breast, feminine and usually hidden subtly displayed, </div>
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is here at face level- misshapen, hypnotic, and powerful. </div>
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Anonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.com0tag:blogger.com,1999:blog-7775575656786562470.post-83669943358157623632012-09-18T12:54:00.002-07:002012-09-18T13:13:40.071-07:00"Peep Hole"<div style="text-align: center;">
"Peep Hole" 2011<br />
6"x12"</div>
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Silkscreen, Waxed and Dyed Mulberry paper, Thread</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb51Doo3QYkYKVdZ0tGVhyphenhyphenWImv8DIB57DaqkCz_CJYejq-j7zoqwGQE1Y7rR9H2Dl1t9_p9aoo6WoFaihFOUbhvVL6loG_0026fTE2MpUizHRmi7SlkBfpe4Q-nEcy3J_Wi4Y0CYWAYqQ/s1600/521389_10100213916861273_1770867640_n.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb51Doo3QYkYKVdZ0tGVhyphenhyphenWImv8DIB57DaqkCz_CJYejq-j7zoqwGQE1Y7rR9H2Dl1t9_p9aoo6WoFaihFOUbhvVL6loG_0026fTE2MpUizHRmi7SlkBfpe4Q-nEcy3J_Wi4Y0CYWAYqQ/s400/521389_10100213916861273_1770867640_n.jpeg" width="265" /></a></div>
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This piece is the beginning of what would soon become a series of simple shapes </div>
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and forms mixed with printmaking and sewing. In "Peep Hole" the quiet and isolated </div>
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opening gives way to a multilayered silkscreen print almost completely covered <span style="text-align: center;">by </span></div>
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Anonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.com0tag:blogger.com,1999:blog-7775575656786562470.post-84079918232583826212012-08-20T07:35:00.000-07:002012-08-20T07:35:44.125-07:00A New Home for Thoughts.Here you will find the works of Nevada Orenda Jade Buckley King. <br />
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I want to begin with an idea of symbolism as a language. Symbolism <br />
without definitions, but with simple and bold qualities that create feelings <br />
to which we use to read. Without words, without speech, we see and feel. <br />
And raw symbolism is a beautiful language globally read and felt. <br />
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Symbolism can be quite easily read, and yet some imagery can keep such<br />
secrets that searching for a "correct" interpretaion is useless. It is the viewer's <br />
choice whether they insist on disecting the image, or accept the initial feeling.<br />
<br />
<br />
My art is an ongoing story hidden in symbols and objects that suggest tales <br />
of youth, female roles, my everlasting bond with nature and all of her <br />
capabilities. Anonymoushttp://www.blogger.com/profile/12766706608986715300noreply@blogger.com0