Showing posts with label printmaking. Show all posts
Showing posts with label printmaking. Show all posts

Sunday, September 23, 2012

"None the Same"

"None the Same" 2012
6" x 8"
Intaglio, Yarn,
Hand dyed and Waxed Paper 
 
 
 
 
None the Same is a portrait. The symbol of the breast is used in a forceful manner,
seeming to be a pair of eyes looking directly at the viewer. The use of black creates
a feel of heaviness, dense and hard. The misshapen details of the breasts reveal uniqueness
in the female, with a pairing of sewing and yarn- reflecting an expected feminine craft to
contrast. 

"6 Hands in the Mud"

"6 Hands in the Mud" 2012
100 Acres, IMA
Mixed Media
 
 
 
6 Hands in the Mud was a collaborative show held at the 100 Acres at the IMA
in the summer of 2012. Erin Trimble, Ashley Windbigler, and myself set up the
show in the beautiful woods located by the lake near the museum. The show
included prints, sculptures, textiles and mixed media pieces. The clouds remained
dark and grey yet never rained us out. It was a lovely day with a great turn out.
Thank you everyone who came out to see us!
 


"Ritual Residue"

"Ritual Residue" 2012
5' x 18'
Silkscreen, Waxed Paper, Red Pepper,
Twine, Fabric, and Found Objects
 
 
 
 
Ritual Residue became a home away from home. A protective circle of crushed
red pepper surrounds a large handmade pillow (filled with herbs). Suspended
above the seat are a collection of hand dyed, waxed, sewn, and printed pouches
filled with objects of use and importance. The installation illustrates isolation and
solitude in the process of crafting objects and collecting memories and materials. 
 

Tuesday, September 18, 2012

"Rocks in the Water"

"Rocks in the Water" 2011
22"x30"
Mixed Media



This is an example of my experimentation with paper and prints as containers. Each pouch
is sewn onto the print, housing within them a flat stone gathered by myself. 

"Unite in our Differences"

"Unite in our Differences" 2012
22"x30"
Monotype, Waxed Mulberry paper, Yarn






Once waxed, the mulberry paper becomes almost completely transparent. It is
feeble and susceptible to cracks, tearing, and bending. The weakness of this paper
is framed with a soft, pink yarn with a gentle zig zag effect. These tender mediums
are directly contrasted by the large scale breasts, which seem like eyes, that penetrate
the viewers gaze. The symbol of a breast, feminine and usually hidden subtly displayed,
is here at face level- misshapen, hypnotic, and powerful. 

"Peep Hole"

"Peep Hole" 2011
6"x12"
Silkscreen, Waxed and Dyed Mulberry paper, Thread




This piece is the beginning of what would soon become a series of simple shapes 
and forms mixed with printmaking and sewing. In "Peep Hole" the quiet and isolated 
opening gives way to a multilayered silkscreen print almost completely covered by 
the waxed paper.